Shakespeare purists may not be too fond of Joss Whedon’s Much Ado About Nothing. It’s not that it’s unfaithful to the original text, per se – on the contrary, the integrity of the script itself is well maintained, save for a few minor changes – it’s just that the presentation of said text is quite a bit more relaxed than is often the case with such elevated, archaic language. For the open-minded, however, the film is an undeniable triumph.