I like to think of Rachel Getting Married as the film for which Anne Hathaway really should have won an Oscar. A glorious cinematic tour de force, it’s undoubtedly her finest film to date – not only due to her own performance, but also because of the sheer brilliance of what director Jonathan Demme has built around…
Critic enjoys ‘Ender’s Game’ despite its flaws
If you’re willing to forget its source material, Ender’s Game is a thoroughly enjoyable movie. Those who have difficulty with compartmentalization should steer clear.
Short film round-up
As someone who isn’t too fond of Wes Anderson’s feature films, I was pleasantly surprised by Castello Cavalcanti, an eight-minute short commissioned by Prada that stars Jason Schwartzman as a 1950s race car driver who has an unfortunate crash in a small Italian town. Though certainly stylish, it’s a little subtler than Anderson’s usual efforts, and…
Critic enjoys quiet charm of ‘All the Real Girls’
It’s very easy to dismiss David Gordon Green as a frivolous filmmaker, considering that his two biggest releases, Pineapple Express and Your Highness, fall into the stoner comedy genre. However, a deeper look into his filmography reveals a different, more nuanced side of his directorial style. For an example, one need look no further than All the Real…
Critic finds ‘C.O.G’ a bore
If I hadn’t known that C.O.G. was based on an essay by humor writer David Sedaris, I might have mistaken it for the world’s most twisted Hallmark movie.
After all, the title stands for “child of God,” and the main character does go on something of a spiritual journey.
‘Satellite of Love’ weakened by stilted screenplay
Satellite of Love would probably be a great movie, if it didn’t have some of the worst dialogue I’ve ever had the misfortune of hearing. Directed by Will James Moore, it’s gorgeously shot, beautifully acted, and abysmally written, making for a profoundly disappointing experience.
British drama ‘Wreckers’ quietly thrills
There’s just something about British drama that puts its American counterpart to shame. There’s a subtlety to it, a sense of quiet tension, that places it leaps and bounds above many of the films being made here on this side of the pond. A terrific example of this phenomenon is Wreckers. Written and directed by…
Short film round-up
One of the highlights of this year’s No Budget Film Festival was Andrew Crabtree’s Planning Ahead, which won the festival’s Critic’s Choice Award. A sweetly acerbic little tale, it stars Emma Fasler and Bill Daddario as an engaged couple struggling to plan their wedding without losing their minds. In a mere seven minutes, Crabtree sends his…
Critic unimpressed by festival film ‘Ex-Girlfriends’
Ex-Girlfriends is not a very good movie. It’s also not a very original movie, borrowing a little too heavily from the likes of Woody Allen and Whit Stillman to feel like a film of its own. Nevertheless, it’s a mildly entertaining little diversion that strikes a few honest chords. Written and directed by Alexander Poe,…
Critic perplexed by classic animated film
I’m not entirely sure why I enjoyed The Last Unicorn so much as a child. Then again, I can’t really say I dislike it now. What I can say, however, is that it is one of the strangest animated films I’ve ever seen. Released in 1982 and adapted from Peter S. Beagle’s 1968 novel of…
Feast on the puns of ‘Cloudy With A Chance of Meatballs 2’
The best thing about Cloudy with a Chance of Meatballs 2 is that it’s a kid’s movie. That’s not to say it isn’t clever or sophisticated – on the contrary, it’s one of the smartest animated films I’ve seen in a while.
What it isn’t, however, is a movie that tries to be any more mature than it has to be, and the result is wonderfully refreshing.
Whedon’s ‘Much Ado About Nothing’ brings new life to classic play
Shakespeare purists may not be too fond of Joss Whedon’s Much Ado About Nothing. It’s not that it’s unfaithful to the original text, per se – on the contrary, the integrity of the script itself is well maintained, save for a few minor changes – it’s just that the presentation of said text is quite a bit more relaxed than is often the case with such elevated, archaic language. For the open-minded, however, the film is an undeniable triumph.
Critic applauds ‘Iron Man 3’ for its depth
Perhaps the best thing about Marvel’s recent lineup of Avengers films is that they’re not afraid to go dark. Iron Man 3 is no exception. Directed by Shane Black, it’s a slick, sharp, quirky movie that packs an exhilarating punch. The film finds “Tony Stark” (Robert Downey Jr.) in the midst of what seems like…
Critic finds TV movie ‘Ragin Cajun Redneck Gators’ less than entertaining
I’m not entirely sure how to go about writing a review of Syfy’s latest original movie, Ragin Cajun Redneck Gators. It’s not that it’s beyond criticism – on the contrary, in fact, it’s the worst film I’ve ever seen – it’s that it’s so mind-numbingly stupid that trying to say something remotely intelligent about it feels…
Apocalyptic comedy strikes gold in theaters
By Amanda Ack, Film Critic The World’s End is quite possibly the best comedy of the year so far. It is also the saddest. Directed by Sean of the Dead and Hot Fuzz helmer Edgar Wright, it’s got razor-sharp wit and sight gags in spades, but it never shies away from going darker and digging…
