The School of Theatre presented The House of Bernarda Alba from Nov. 11-14. Written by Federico García Lorca, it is regarded as one of the greatest modern Spanish plays for its relevance and lyricism. The play chronicles widow Bernarda Alba and her five daughters who hold to a traditional period of eight year mourning, during which no one can leave the home. Only the young and vivacious Adela manages to sneak out and find a suitor.
Laura Tapia, psychology and theatre and performance junior, directed The House of Bernarda Alba.
“Working on this show was an experience full of learning and discovery,” Tapia said. “It required a deep study of the text, because there is a lot of nuance to understanding the tragedy.”
According to senior acting major, Lauren Smith, who played Adela, the process was intense. “This play is obviously very emotionally taxing,” Smith said. “We really had to take care of each other as a cast, and that enabled us to form deeper connections.”
To alleviate the emotional toll, Tapia found several creative exercises to help the actors feel more comfortable.
“We did meditation exercises where we learned to separate the character from the acting, and added some flexibility to the calendar to loosen up the schedule,” Tapia said. “I also had some cookies at times, and even created a ‘PJs only’ rehearsal.”
Tapia said though the subject matter is intense, the theme of feminism was presented in such a way that made it pertain to today.
“Often with period pieces we don’t realize how relevant their themes still are,” Tapia said. “Showing such extremes really challenges that notion.”
According to Smith, performing such a vigorous show allowed for growth and a greater understanding and appreciation for acting.
“When I initially read the script, I didn’t like my character,” Smith said. “But I learned to understand her place in the show, and embrace the challenge.”
“For me, the biggest thing I learned was asking for help, and listening to the actors and their needs in protecting and embodying their character,” Tapia said. “This cast was incredible, and I’m so lucky I got the opportunity to direct them.”
The House of Bernarda was a Stage II production. Unlike mainstage productions, Stage II productions use small, intimate spaces and minimal props and scenery. Next season, Stage II will present The Normal Heart, The Pillowman, An Enemy of the People, and Six Years Old. More information about the OCU School of Theatre can be found here.
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