Ah, comedy-horror. The one genre capable of evoking a smile of approval from some and a grimace of nauseous terror from others.
Ingrid Goes West, a comedy-drama directed by Matt Spicer, hit theaters Aug. 11 to relatively mixed reviews.
OCU may be more famous for producing Tony Award-winning performers, but several Oscar-winning movies have plots inspired by the OCU campus.
Sometimes, movies start off with the best intentions but somewhere along the way go horribly – and hilariously – wrong. Here are five prime examples.
Even with all the technology and means to travel nowadays, most people still can get stuck living in their little bubble, unaware of ways of life outside their immediate vicinity. It’s bad enough inside our own country, where someone growing up in California can have a vastly different education, viewpoint or life experience than someone…
In today’s Feature Friday, I asked Jonathan May, acting junior, to answer every question with the title of a movie or song.
Marvel’s latest effort, Dr. Strange, while sticking to the formula, is still able to give audiences something a little different.
The Accountant came close in many ways to filling the action-movie void that currently plagues America, but ultimately fell short.
“The Nice Guys” is well worth a look from fans and casual viewers alike.
Most social engagements cost money, reservations, and transportation. Here are eight dates to enjoy together without spending money or leaving campus.
Children’s negative body image is a problem spurred by unrealistic bodies in media. Many people address princess bodies, but what about non-human characters?
In this day and age, we all have seen our fair share of “stranded- in-space” movies. With the recent releases of Gravity (2013) and Interstellar (2014) still fresh in our minds, the movie The Martian had a lot to live up to. The movie fol- lows the typical formula. A man gets stranded in space,…
The OCU Study Abroad department will celebrate International Education Week with a variety of events and presentations.
How I Live Now may be based on a young adult novel, but that doesn’t excuse the fact that it’s incredibly juvenile.
The most marked characteristic of All Is Bright is that it’s a colossal waste of Paul Giamatti and Paul Rudd.
The best thing about Cloudy with a Chance of Meatballs 2 is that it’s a kid’s movie. That’s not to say it isn’t clever or sophisticated – on the contrary, it’s one of the smartest animated films I’ve seen in a while.
What it isn’t, however, is a movie that tries to be any more mature than it has to be, and the result is wonderfully refreshing.
Don Jon is probably not the movie you think it is. It certainly wasn’t what I expected, which was a raunchy, laugh-a-minute comedy with a dash of heart and brains.
What I got was something far better: one of the sweetest, smartest, and most honest movies of the year.
Once is a classic example of a “little movie that could”: a tiny, micro-budget film that somehow managed to rocket to classic status in an instant. It’s even been adapted into a Tony Award-winning Broadway musical, which isn’t so much an indication of its quality as it is a sign of its incredible popularity. Thankfully, though, it more than lives up to the hype.
Generally speaking, I’m fond of plot twists in movies – particularly those I can’t see coming. What’s less pleasing is when the twist is followed by another twist that jerks the plot back to where it was expected to go in the first place. In The Purge, that happens at least three times. Written and directed by James DeMonaco, it’s a bland, boring thriller with an overambitious concept and underwhelming execution.
The hit boy band One Direction will soon be conquering another outlet of entertainment: the silver screen.
Rarely in Oklahoma do we get the chance to see all of the films nominated by the Academy of Motion Picture Arts and Sciences before we watch the Oscars.
Well folks, it’s that time of year again. The 84th Annual Academy Awards are coming up at the end of February, and that means the buzz on the nominees is well under way.
Many years ago, in the quaint little village of Crythin Gifford, Jennet Humfrye’s son died in a terrible accident while she was away. The townspeople never recovered the body.
Chronicle is hands down the most excitingly creative, dazzling “found footage” film I have ever seen. Ever.
When I was younger, I read a book called “Hatchet” by Gary Paulsen. I was riveted by the against-all-odds tale of wilderness survival, about a boy who makes it in the woods for months with just a hatchet to help him get by.
It takes much more than a mere black and white filter to make a film look so convincingly old.