How I Live Now may be based on a young adult novel, but that doesn’t excuse the fact that it’s incredibly juvenile.
The most marked characteristic of All Is Bright is that it’s a colossal waste of Paul Giamatti and Paul Rudd.
If I hadn’t known that C.O.G. was based on an essay by humor writer David Sedaris, I might have mistaken it for the world’s most twisted Hallmark movie.
After all, the title stands for “child of God,” and the main character does go on something of a spiritual journey.
The best thing about Cloudy with a Chance of Meatballs 2 is that it’s a kid’s movie. That’s not to say it isn’t clever or sophisticated – on the contrary, it’s one of the smartest animated films I’ve seen in a while.
What it isn’t, however, is a movie that tries to be any more mature than it has to be, and the result is wonderfully refreshing.
Don Jon is probably not the movie you think it is. It certainly wasn’t what I expected, which was a raunchy, laugh-a-minute comedy with a dash of heart and brains.
What I got was something far better: one of the sweetest, smartest, and most honest movies of the year.
Generally speaking, I’m fond of plot twists in movies – particularly those I can’t see coming. What’s less pleasing is when the twist is followed by another twist that jerks the plot back to where it was expected to go in the first place. In The Purge, that happens at least three times. Written and directed by James DeMonaco, it’s a bland, boring thriller with an overambitious concept and underwhelming execution.
I’m not entirely sure how to go about writing a review of Syfy’s latest original movie, Ragin Cajun Redneck Gators. It’s not that it’s beyond criticism – on the contrary, in fact, it’s the worst film I’ve ever seen – it’s that it’s so mind-numbingly stupid that trying to say something remotely intelligent about it feels […]
The biggest problem with Star Trek Into Darkness is that it’s a sequel. A follow-up to J.J. Abrams’ 2009 Star Trek reboot, it feels a bit like a recycled version of its predecessor, with a rehashed plot and familiar themes. It’s entertaining enough, of course, but it doesn’t feel quite as fresh as it should.
Rarely in Oklahoma do we get the chance to see all of the films nominated by the Academy of Motion Picture Arts and Sciences before we watch the Oscars.
Well folks, it’s that time of year again. The 84th Annual Academy Awards are coming up at the end of February, and that means the buzz on the nominees is well under way.
Many years ago, in the quaint little village of Crythin Gifford, Jennet Humfrye’s son died in a terrible accident while she was away. The townspeople never recovered the body.
Chronicle is hands down the most excitingly creative, dazzling “found footage” film I have ever seen. Ever.
When I was younger, I read a book called “Hatchet” by Gary Paulsen. I was riveted by the against-all-odds tale of wilderness survival, about a boy who makes it in the woods for months with just a hatchet to help him get by.
It takes much more than a mere black and white filter to make a film look so convincingly old.
When you violently tear away all of the fancy clothes, expensive liquor, and notions about what is prim and proper, what are you left with? Acclaimed director Roman Polanski might argue that the answer is Carnage.
If anyone has been missing the Steven Spielberg of old, the man behind Raiders of the Lost Ark, Saving Private Ryan, and Schindler’s List, I found him back in full stride directing this cinematic tour de force: War Horse.
It’s The Rite meets Paranormal Activity, and it’s nothing to be proud of.
Her performance as Lisbeth Salander, ultra-intense goth computer hacker extraordinaire, is simply electrifying!
So here we are at the inevitable sequel, with all of the same actors, and a few new ones. This time out we find Sherlock at a bit of a loss as he discovers that Watson plans on getting married. He needs his sleuthing partner, whatever will he do?
By Tommy Bond, Film Critic Have you ever had an experience that was just so wonderful, something that just hit all of the right notes, something that made you appreciate all of the things around you? It’s those moments where everything feels right, and everything is cast in that warm orange glow, and when you’re […]
In the cruel game to get elected, anything goes as long as you can keep it quiet, and if you slow down, no one will stop to pick you up.
Hugo might just be Martin Scorsese’s most personal work, and it is definitely one of his most deeply felt films that I have ever seen.
The Muppets are back, baby! And boy are they fun to hang out with!
Yes, I watched it. And yes, I have seen the rest of them too.