They Came Together may not change the way you look at romantic comedies, but it will at least give you a sense of appreciation when you watch a good one.
The film tries to do too much and ends up with a middling movie that doesn’t quite know what its message is.
It’s no surprise that the hype for Star Wars VII: The Force Awakens was massive. To everyone’s relief, the film seems to be doing just fine.
Mississippi Grind lets you observe the highs and lows of the addiction, but, in the end, the film itself does not stand out in any special way.
During the past decade there has been an uptick in movies and television with anti-heroes in the lead role. A lead with questionable morals isn’t a new development. Watching characters struggle to live with their imperfections on screen helps us feel better about ourselves and our own problems. The question is, how far can a…
In this day and age, we all have seen our fair share of “stranded- in-space” movies. With the recent releases of Gravity (2013) and Interstellar (2014) still fresh in our minds, the movie The Martian had a lot to live up to. The movie fol- lows the typical formula. A man gets stranded in space,…
It’s no wonder we are seeing an abundance of movies about the dangers of machinery crossing the boundary between robot and human with the constant expansion of technology. Alex Garland, writer and director of Ex Machina, is no stranger to the creation of sci-fi films. Although this movie is his debut as director, he has…
What Marvel Studios has done with its movies in the past couple of years is impressive. The first Avengers film served as a culmination of both Marvel Studios and Joss Whedon and was a commercially–and critically acclaimed–success. Expectations for the sequel, Avengers: Age of Ultron, were a little on the high side and, in the…
Mission: Impossible Rogue Nation, directed by Christopher McQuarrie, is the fifth installment of the Mission Impossible series starring Tom Cruise as Ethan Hunt. Much like its star, this series is aging well, as this latest film may also be its greatest. Hunt is joined this time around by returning members William Brandt played by Jeremy Renner, Luther…
How I Live Now may be based on a young adult novel, but that doesn’t excuse the fact that it’s incredibly juvenile.
The most marked characteristic of All Is Bright is that it’s a colossal waste of Paul Giamatti and Paul Rudd.
If I hadn’t known that C.O.G. was based on an essay by humor writer David Sedaris, I might have mistaken it for the world’s most twisted Hallmark movie.
After all, the title stands for “child of God,” and the main character does go on something of a spiritual journey.
The best thing about Cloudy with a Chance of Meatballs 2 is that it’s a kid’s movie. That’s not to say it isn’t clever or sophisticated – on the contrary, it’s one of the smartest animated films I’ve seen in a while.
What it isn’t, however, is a movie that tries to be any more mature than it has to be, and the result is wonderfully refreshing.
Don Jon is probably not the movie you think it is. It certainly wasn’t what I expected, which was a raunchy, laugh-a-minute comedy with a dash of heart and brains.
What I got was something far better: one of the sweetest, smartest, and most honest movies of the year.
Generally speaking, I’m fond of plot twists in movies – particularly those I can’t see coming. What’s less pleasing is when the twist is followed by another twist that jerks the plot back to where it was expected to go in the first place. In The Purge, that happens at least three times. Written and directed by James DeMonaco, it’s a bland, boring thriller with an overambitious concept and underwhelming execution.
I’m not entirely sure how to go about writing a review of Syfy’s latest original movie, Ragin Cajun Redneck Gators. It’s not that it’s beyond criticism – on the contrary, in fact, it’s the worst film I’ve ever seen – it’s that it’s so mind-numbingly stupid that trying to say something remotely intelligent about it feels…
The biggest problem with Star Trek Into Darkness is that it’s a sequel. A follow-up to J.J. Abrams’ 2009 Star Trek reboot, it feels a bit like a recycled version of its predecessor, with a rehashed plot and familiar themes. It’s entertaining enough, of course, but it doesn’t feel quite as fresh as it should.
Rarely in Oklahoma do we get the chance to see all of the films nominated by the Academy of Motion Picture Arts and Sciences before we watch the Oscars.
Well folks, it’s that time of year again. The 84th Annual Academy Awards are coming up at the end of February, and that means the buzz on the nominees is well under way.
Many years ago, in the quaint little village of Crythin Gifford, Jennet Humfrye’s son died in a terrible accident while she was away. The townspeople never recovered the body.
Chronicle is hands down the most excitingly creative, dazzling “found footage” film I have ever seen. Ever.
When I was younger, I read a book called “Hatchet” by Gary Paulsen. I was riveted by the against-all-odds tale of wilderness survival, about a boy who makes it in the woods for months with just a hatchet to help him get by.
It takes much more than a mere black and white filter to make a film look so convincingly old.
When you violently tear away all of the fancy clothes, expensive liquor, and notions about what is prim and proper, what are you left with? Acclaimed director Roman Polanski might argue that the answer is Carnage.
If anyone has been missing the Steven Spielberg of old, the man behind Raiders of the Lost Ark, Saving Private Ryan, and Schindler’s List, I found him back in full stride directing this cinematic tour de force: War Horse.
It’s The Rite meets Paranormal Activity, and it’s nothing to be proud of.